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Organization where the parts relate to one another through repetition and variation of shape, color, rhythm, and direction of movement
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Standardized shape of the film frame; 1.85:1
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Cue for suggesting represented depth; objects in the distance presented less distinctly than those in the foreground
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Lens that makes widescreen films using regular frame size
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Position of frame in relation to subject (high, low, straight-on)
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Process where artificial movement is created by photographing a series of objects, drawings; small changes in position create illusion of movement
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Relationship of frame's width to height (1.85:1)
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Organization where the film's parts are juxtaposed to suggest similarities, contrasts, concepts, emotions, and expressive qualities
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Sound that is not matched temporally with the movements; out of synchronization
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Presumed or actual author of a flim; director
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Continuity editing- imaginary line that passes from side to side through the nain actors
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Illumination cast onto figures in the scene from the side opposite the camera
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Pole that a microphone is place upon so that its position can change as action shifts
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View in which the frame is not level; objects in scene are slanted
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Uses a series of drawings on pieces of celluloid; illusion of movement
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Computer-generated imagery; using digital software systems
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Continuity editing- cut that presents continuous time from shot to shot but that mismatches the positions of figures or objects
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General term for manipulations of film strip by the camera and developing
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Framing in which the scale of the object shown is relatively large (neck-up)
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Ending of a narrative film reveals the effects of all the casual events and resolves all lines of action
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System of cutting to maintain continuous and clear narrative action. Relies on matching screen direction, position from shot to shot.
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Difference between the brightest and darkest areas within the frame
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Change in framing accomplished by having the camera above the ground and moving through the air in any direction
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Editing that alternates shots of two or more lines of action occurring in different places
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Joining of two strips of film together with a splice
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Instantaneous shift from a distant framing to a closer view of some portion of the same space
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Use of the camera lens and lighting that keeps both the close and distant planes photographed in sharp focus
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Arrangement of misc-en-scene elements so that there is a considerable distance between the place closest to the camera and one farthest away
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Editing a scene and arranging the cut so that a bit of dialogue coming from shot A is heard under a shot that shows another character on another element in the scene
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World of the film's story
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Any voice, musical passage or sound effect presented as originating from a source within the film's world
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Music, noise and speech recorded from the event at the moment of filming
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Joining shots by mismatching temporal and spatial relations, a concentration on graphic relationships, violations of the axis of action
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Transition between two shots when the first gradually disappears and the second gradually appears
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Camera distance; shot scale
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Process of supplying finished film to the places where it will be shown
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Camera support with wheels, used in making tracking shots
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Process of replacing part or all of the voices on the sound track in order to correct mistakes or recorded dialogue
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Aspect of temporal manipulation that involves the time span presented in the plot and assumed to operate in the story
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The task of selecting and joining camera takes
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The shortening of plot duration achieved by omitting intervals of story duration
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Shot transitions that omit parts of an event, causing an ellipsis in plot and story duration
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The process of showing the finished film to audiences
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Adjustment of the camera mechanism in order to control how much light strikes each frame of film passing through the aperture
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Sound represented as coming from a physical source within the story space that we assume characters in the scene also hear
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Framing where the scale of the object shown is very large
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Framing where the scale of the object is very small
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Cut obeying the axis of action- first shot shows person looking off in one direction and second shows a nearby space containing what he/she sees
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A dark screen that gradually brightens or disappears (in,out)
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Illumination from a source less bright than the key light used to soften deep shadows in a scene
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Dark film- type of American film usually detective or thriller genres; low key lighting and a somber mood
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Strip of material upon which a series of still photographs is registered; consists of a clear base coated on one side with a light-sensitive emulsion
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Piece of glass or gelatin placed in front of the camera or printer lens to alter quality or quantity of light striking the film in the aperture
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Alteration of story order in which the plot moves back to show even that have already take place
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