Berlinghieri, "Saint Francis Altarpiece"

Proto Renaissance

1235, Italy

Alien-like, no depth

Cimabue Virgin and Child Enthroned, 1280, Florence

Tempura and Gold on wood

12 feet tall

drapery is more realistic

sense of life to mary

Proto Renaissance

Giotto Virgin and Child Enthroned, 1305-1310, Florence

Proto Renaissance

Cimabue's student, similar styles

greater spacial recognition

Giotto Lamentation, 1305-1306, Padua

Proto Renaissance

bright colors actual emotion

Duccio Virgin and Child Enthroned, 1285, Sienna

Proto Renaissance

graceful pose and gesture, kinda blue face

Duccio Maesta Altarpiece, 1308-1311, Sienna

Proto Renaissance

very big 7 by 13 feet the back has episodes of life with emotional content

Lorenzetti The Effects of Good Government in the City, 1338-1339, Sienna

Early Renaissance

Idealized portrait of Sienna hovering above gate represents secutiry

Brunelleschi Dome of Florence Cathedral, 1420-1436, Florence

Early Renaissance

smart architecture that avoided using dangerous scaffolding had an oculus (round opening)

Brunelleschi Foundling Hospital, 1421-1444, Florence

Early Renaissance

unprecedented in scale and design

Brunelleschi Interior and Plan of Church of San Lorenzo, 1442-1470, Florence

Early Renaissance

nave

Brunelleschi Interior and Plan of Church of San Lorenzo, 1442-1470, Florence

Early Renaissance

nave

Donatello St. George, 1417-1420, Florence

Early Renaissance

stands in solid contraposto

Donatello David, 1446-1460, Florence

Early Renaissance

girly posee

Ghiberti Jacob and Esau, Panel of the Gates of Paradise, 1435, Florence

High Renaissance

for the doors of the baptistry of san giovanni

Pollaiuolo Hercules and Anteaus, 1475, Florence

Early Renaissance

humanist less religous interactive piece

Masaccio Tribute Money, 1427, Florence

Early Renaissance

Tell the religious story of St. Peter linear perspective

Fra Angelico Annunciation, 1438-1445, Florence

Early Renaissance

very good linear perspective

della Francesca Baptism of Christ, 1450, Urbino

Early Renaissance

commissioned by the graziani gamily

frozen moment when everything changed

Botticelli Birth of Venus, 1484-1486, Florence

High Renaissance

neoplatonic idea of divine love in form of venus

Bellini St. Francis in Ecstasy, 1470, Venice 

High Renaissance

very natural and realistic

da Vinci Last Supper, 1495-1498, Milan

High Renaissance

on dry intonaco

da Vinci Mona Lisa, 1503-1506, Rome

High Renaissance

enigmatic facial expression

da Vinci Vitruvian Man, 1490, Rome

High Renaissance

Shapes and Science

Raphael School of Athens, 1510-1511, Rome

High Renaissance

philosophist plato

Michelangelo Pieta, 1500, Rome

High renaissance

Mary is hugee!  

Michelangelo David, 1501-1504, Florence

High Renaissance

idealistic like greek art

Michelangelo Creation of Adam, 1511-1512, Rome

High Renaissance

God giving Adam life

Titian The Pastoral Concert, 1510, Venice

Venetian Art

regards the arts and poetry painted for venice

Titian Venus of Urbino, 1538, Venice

Venetian Art

Fido, duke of urbinos mistress

Pontormo Entombment, 1525-1528, Florence

Mannerism

very bright colors

Parmigianino Madonna with the Long Neck, 1534-1540, Florence

Mannerism

Playing with perspective

Bronzino Allegory with Venus and Cupid, mid 1540s, Florence

Mannerism

Classical references

Michelangelo Last Judgment, 1536-1541, Rome

Mannerism

In Sistine Chapel fancy blue

Tintoretto The Last Supper, 1592-1594, Venice

Counter Reformation

more going on

Palladio, Exterior view of the Villa Rotonda, 1560s, Vicenza

same on every side

Counter Reformation